FEBRUARY 2010

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Diffrazioni Sonore (cd, 2005) - the digital format is now available

at  CdBaby and iTunes

 

 

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COLLECTED ESSAYS

 

<<VOCE SOLA>>

(SOLO VOICE)

notes and fragments written in prose on the vocal discourse,

the subject of research over the last years.

 

will be soon available

 

on RDM Records

Publishing

 

 

 

JANUARY 2010

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In January 2010 Romina Daniele started a collaboration with

RDM Records publishing

 

 

where all her works are available.

 

 

DECEMBER 2009

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THE NEW ALBUM

 

Romina is working on the third album - The price of the Aisthànomai, il dramma della coscienza (2007, © Romina Daniele/RDM Records) cd is now 10 € - 15,00 $ - 8,97 £ (original price 14 €). If you buy at CdBaby, you will also receive Diffrazioni Sonore cd (2005) for free, forwarding the confirmation of the order to: pmaster@rominadaniele.com.

 

 

SEPTEMBER 2009

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Romina Daniele is also on Last.fm where you can find audio streaming from Diffrazioni Sonore and Aisthànomai, il Dramma della coscienza.

The complete streaming of "il Dramma della coscienza" is available on Stumble Audio as well.

 

LASTFM:

http://www.last.fm/music/Romina+Daniele

 

STUMBLEAUDIO:

http://www.stumbleaudio.com/#rominad/1

 

[Links to buy online also on http://www.rominadaniele.com/Discography.htm] 

 

 

JANUARY-FEBRUARY 2009

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The performance of Saturday the 21st of March is part of   "5 Giornate per la Nuova Musica" Festival   Festival5giornate.it

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“Wait, talenti e avanguardie creative”, n. 24 December/January 2008 (review by E. Mauro):

<< It is always a risk to first listen and then talk about a record by Romina Daniele; we do not have to underestimate a complex and articulated work representing an important, fundamental part of life [...] It is like going down to Ade searching our lover and then turning back just before the last step. It is like going down to the Sibilla Cumana cave [...] >>

[Complete text in Italian at: http://issuu.com/wait/docs/wait_24/38]

 

 

DECEMBER 2008

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Aisthànomai, il Dramma della Coscienza (cd, 2007) is placed in the top ten records of 2008 by Girolamo De Simone, in "Alias, speciale Ultrasuoni inverno”  Il Manifesto,  6th December 2008".

 

 

 

OCTOBER 2008

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An abstract of the thesis:

<<Ascenseur pour l'échafaud, il luogo della musica nell'audiovisione>>

(the place of music in the audiovisual media)  by Romina Daniele,  has 

been published in:

"KonSequenz" contemporaneous music studies magazine (Liguori Editor).

The presentation of the book, by Girolamo De Simone, will take place

with the participation of all the writers and Romina Daniele, 

friday 24th october h.18.00, palazzo Mastelloni,

piazza Carità, Napoli.

 

[Abstract in italian here]

 

info

http://www.konsequenz.it/main.htm

http://www.liguori.it/schedanew.asp?isbn=4397#

 

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Corsica magazine, October 2008 by A. Michelucci:

<< [...] Romina Daniele (...) is among the most interesting independent new artists of the Italian music scene. She uses the voice like an instrument and this projects her in a field of rarity (...) Aisthànomai (2008, indipendent) (...) has gained a good attention from the press. Two years ago, the musician put the first brick of her sonorous and conceptual building with Diffrazioni Sonore (2005, indipendent).
Aisthànomai continues on that way, clarifying the contents and the focuses.

It is not just a record, but a complex work in which sound, theory and poetry are interlaced (...) The extreme particularity of the vocal approach is coupled with long texts, and the vocal and poetic researches are married.

The record doesn’t fall “in to the false waters of anti conformism”, as we can read in the booklet. Romina Daniele refuses to be defined like an avant-garde artist, because she thinks this expression is empty and abused.

Her research is directed to the origin of the sound, not to a hypothetical future. The booklet contains a long text in which Romina expresses her musical and philosophical considerations [...] >>

[Complete text in italian: Rassegna stampa (Italian press review page);

http://info.club-corsica.com/italia_109_002.html].

 

 

JULY/AUGUST 2008

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17/07 Interview by Max Marchini (Rockerilla n. 335/336), online at page:

Review Press : http://www.rominadaniele.com/RD_review_press.htm (italian)

 

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Ritual Magazine, n. 35, july/august 2008, by Tony Aramini:

<<[...] extreme vocal experimentation [...] layered and assembled vocal tracks [...] unusual harmonic features. A brave and versatile work - which include also two extracts from the ‘Ascenseur pour l'échafaud’ soundtrack - for a young artist born just in 1980  [...]>> [Full text (italian)  available at Press page]

 

 

JUNE 2008

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Max Marchini (Rockerilla, n. 334) writes about Aisthànomai, Il Dramma della Coscienza (cd, 2007):

<<As if the plastic of the voice would be shaped here in a new aesthetics (…) Her semantic and musical research is personal and sometimes heartbreaking too. Voice and electronics trying to define a meaning for this particular aesthetic and etymological project which draws equations between sensation, perception, art and representation of pain.>>

[Full text available at Aisthànomai page]

 

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23/06 Interview by Roberto Alessandro Filippozzi (Darkroom Magazine) online:

http://www.darkroom-magazine.it/ita/109/Intervista.php?r=724 (italian)

 

 

MAY 2008

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On the 1st of May, Radio Libertaire 89.4 F.M, PARIS (by Nicolas Marmin a.k.a. bondage), very much actively interested in the cultural and musical avantgarde, and in the electronic experimentation, broadcasts the track "05. Dix ans, vingt ans" of the "Aisthànomai, Tragedy of Consciousness" album project. 

Info e playlist show: http://epsilonia.free.fr/laccueil.htm.

 

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Simone Broglia (Mescalina.it) writes about Aisthànomai, Il Dramma della Coscienza (cd, 2007): <<is one of those albums which we are always less used to (…) concentrating on the sound, it is a work about frequencies, often about very low frequency sound waves (…) The voice is the main theme of the entire album, not an instrument, but a way to create synonyms; the voice is the presence of the artist herself (...) divided and re-composed, separated in frequencies which are able to dilate, lay, smooth over and strengthen themselves (...) Romina Daniele is presenting a work that leave the listener satisfied for the opportunity to appreciate an experimental work and a research about sounds, dynamics, vocal timber, theatre, poetry, aesthetics, body.>>

Full review (Italian) at:  http://www.mescalina.it/musica/recensioni/recensioni-musica.php?id=2349

 

APRIL 2008

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Romina Live at Stanica.sk Festival in Žilina. Video extracts from the live shows in Slovakia on April 26th and 27th are online at Video Live Concerts page.

 

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Review by Massimo Salari (Rock Impressions): << [...] we can listen electronics on which the singer express herself completely, her voice going beyond, above its structural logics which we have always been used to in our music listening. Intensity, weirdness and theatrical atmospheres together in a reticular way. As the artist says: ‘Aisthànomai involves sound diffractions and introduces text diffractions (whereas the text commonly intended is the symbol of the omniscience I want to unhinge) and digital diffractions…’  [...] >>

Full review (Italian) at:  http://www.rock-impressions.com/danieleromina2.htm

 

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Review by Erba della Strega.it:

<< [...] Because she is not simply an artist recording albums…we are in front of a soul which creates, modifies, destroyes and creates something new. We are very far from the common ‘album’ concept and we are very close to the classical concept of ‘Art’, take it or leave it. [...] >>

>> Full review (italian) here

 

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Review by Dionisio Capuano (BLOW UP Magazine 119, April 2008):

<<[...] not only a great vocal ability - power and versatility – but a great talent interpreting the sense of music and composing abilities as well. You can listen/read "Aisthànomai" like a theoretical work, an organized anthology and a poetical-musical form (...) arising charming performing/interpreting solutions (...) it’s mainly a sensory experience (if not sensual) with the vibrating woman body, into urgency (impact) of the reunification [...]>>

[Full text available at Aisthànomai page]

 

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Review by Drexkode.net (Music, Events, Readings & Visions Webzine):

<<[...] A peculiar combination of different disciplines including theatre, philosophy, aesthetics and electronics used as a movie soundtrack.  Aisthànomai  - the Greek term that means "to perceive, to understand” – with its essay and its multifaceted directions, it can be seen as a real opera of avant-garde theatre.  Romina Daniele put herself in front of the audience stimulating it and producing a thrilling and a charming sound (...) the unique and changing voice creates endless moods.  Aisthànomai is a great opera of direction [...]>>

[Full text available at Aisthànomai page]

 

 

MARCH 2008

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The essay "il Dramma della Coscienza" ("Tragedy of Consciousness"),  from the "Aisthànomai" booklet - cd 2007, has been published on  “Conseguenze: rivista di riflessioni critiche” by Girolamo De Simone, available on-line.

 

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Review by Roberto Filippozzi (Darkroom Magazine): <<Romina Daniele is not so much known yet, but she is representing one of the best new artist of the Italian avant-garde musical scene. In 2005 she has been awarded with the Demetrio Stratos International Award for musical experimentation thanks to her first record. This award has been given to Diamanda Galàs and Meredith Monk too and it is dedicated to the memory of Demetrio Stratos which has given a great contribution to the musical experimentation with his band Area and the solo career (...)>> [Full review (Italian) at: http://www.darkroom-magazine.it/ita/109/Recensione.php?r=594]

 

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Review by Delio Salottolo (Labaut): << [...] We could think… beyond the One (as sense, belonging, voice, word and sensation) and the Manifold (of senses excluding themselves, of the (non)belongings, of the (un)responsible sounds, of the (non)meaning, of the emotional cords skinned from the sounds), but we do not have to care about this: we have to face the real danger [...] >> [Full text soon available at Aisthànomai Reviews page]

 

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Aisthànomai, il Dramma della Coscienza (cd, 2007)

Digital distribution >> iTunes Store

 

Remember that everyone can write a review at the following pages:

CdBaby page - AllMusic page - iTunes Store

If you buy "Aisthànomai" at CdBaby, you will also receive Diffrazioni Sonore (cd, 2005) for free.

More info: pmaster@rominadaniele.com

 

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March 8th 2008. Radio Libertaire 89.4 F.M, PARIS (by Nicolas Marmin a.k.a. bondage), very much actively interested in the cultural and musical avantgarde, and in the electronic experimentation, broadcasts the track "14. Poesis II" of the "Aisthànomai, Tragedy of Consciousness" album project. 

Info e playlist show: http://epsilonia.free.fr/laccueil.htm.

 

 

DECEMBER 2007

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Video extracts:

- from the performance on July 16th 2006 at Arezzo Wave festival

- from the performance on  October 13th 2007 at SoundMetak

 

 

OCTOBER 2007

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mailing service

We have discovered a mailing error, several attempts of contacts didn't get to us, in particular referring the applications for Diffrazioni Sonore free copies.

Please, excuse our slip and write us again soon.

 

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Video extracts from the performance on October 13th at SoundMetak are online at

http://www.soundmetak.com/soundmetak/live.htm

 

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Diffrazioni Sonore reviewed by Mattia Bergamini (MusicBoom): <<It's bound to be ispired by Diplofonie, Triplofonie, Investigazioni which, in that distant 1978, gave us an essay of Demetrio Stratos's vocal producing ability. It is also bound to remind the spiritual and pensive forays of Buffy Sainte-Marie (...) It's about vocal experimentations, through its stratifications and recording, which has - in the case of our Romina and in her own words - «the objective to exalt the terms of the construction-sensation relationship, not as conflict but as several extensions» (...)>>Complet text (in italian):

http://www.musicboom.it/mostra_art.php?categoria=rubriche&Unico=20070917201731

 

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The concert of october, 5  2007, at the Carlo Zauli Museum - Faenza is been cancelled and so postponed, because of an indisposition of Romina. Anyway Romina specially thanks to the Faenza council, the organization of the festival in the person of Michele Francesconi, the cultural project "Distretto Culturale Evoluto".

 

 

SEPTEMBER 2007

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A fragment from the performance at Villa Greppi is available on

http://www.rominadaniele.com/pagine/video2.htm 

or http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=16981266

 

 

JULY 2007

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Diffrazioni Sonore reviewed by Enrico Mauro (art people & sites illustrated Bella Lì magazine): <<With Romina Daniele's work we enter into a quite dangerous field, not only for the Demetrio Stratos's experience and the vocal and sonorous experiments, but also for the Diamanda Galàs's theatrical atmospheres, the standing and the pain. It's difficult to judge (...) Her work isn't simply just music, but the interpretation/interpreter essence itself: inviolable in its audible, not indictable in its manifest complicated form.>>

Complet text (in italian): http://www.musichunter.it/MHrecensione.php?ID=43.

 

 

JUNE 2007

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Romina is performing at the Notturni of Musicamorfosi, the reticular cross-party Saul Beretta's project which takes place in the suggestive Brianza parks with the concourse of many and several artists, to rewrite the Twenty Century era.

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<<Dear Friends,

I would like to tell you personally (without cold mailing lists) how much I’m sorry for the cancelled concert of Colorno, since many people confirmed their participation.

Anyway, this concert “dedicated to Demetrio” is just postponed to the next season.

That event is going to be replaced by a Miss Italia competition evening…what we can say about that…anyway Colorno is going to gain much more money…

The concert is strongly wanted by Daniela Ronconi (wife of Demetrio Stratos) and I would like to explain what does it mean being active “in memory of Demetrio”.

First of all, it doesn’t mean ’70 Prog and diplophony, and who is convinced that these two categories together are the Demetrio Stratos opera…let me say that he just loves Demetrio.

The fundamentals of Demetrio Stratos opera correspond to a research commitment at any cost, an opening towards an experimental space, not considering all the genres and categories.

Who is convinced that this work is just an external speculation of the artistic persona didn’t understand a lot, who is rather going beyond social rules and knows what does it mean ‘to be true’…then understands me.

My deep research…and my strictness in doing just what I feel are leaving me behind lots of ‘success opportunities’ and important proposals by agencies and labels…but I am strongly convinced that if I stopped being strict, my work would be vain and without any sense.

The fundamentals of my research are the unconditioned freedom, a purity and a truth of being and knowing.

 

Romina>>

 

 

MAY 2007

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Meeting with Meredith Monk - Romina Daniele's performance

Ferrara, thursday 7 june, at "Biblioteca Ariostea/Teatro Anatomico" h.18
 

edited by  Claudio Chianura and Franco Masotti

“Demetrio Stratos” International Award 

promoted by MM&T, Auditorium Edizioni and  Insound magazine

 

At the end of the Aterforum Festival 2007 open meeting dedicated to Meredith Monk, the exceptional american artist is taking the “Demetrio Stratos” International Award for musical experimentation (2nd edition), designated to celebrate the research and performing work developed by the greek vocalist missing in the 1979. The award is assigned by a jury presided by Daniela Ronconi Demetriou, Demetrio Stratos's wife: the last year award has been awarded from Diamanda Galas and the young vocalist Romina Daniele (new project), who works in a research field that is strictly related to the Meredith Monk and Demetrio Stratos experiences.

(in italian) http://www.teatrocomunaleferrara.com/aterforum07/aterforum07.asp

 

Romina performs Aisthànomai, info at the live-page.

 

 

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Diffrazioni Sonore reviewed by Alberto Carozzi (Sands-zine): "The Daniele's working method consists in to record totally free vocal improvisations - singing, reciting, screaming and vocalism in a broad sense - that are successively edited  in complex set-compositions. It is a contemporary concept of the composition process, in which the writing is not on the paper but on the take, or the hard-disk; it involvs anyway an arrangement and adjustment work as classical technique of composition does. Romina Daniele can be seen in a new group of experimenters of the vocal expression possibilities..." Complete text (in italian): http://www.sands-zine.com/recensioni.php?IDrec=880.

 

 

MARCH 2007

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Diffrazioni Sonore reviewed by Massimo Salari (rock-impressions): <<(…) We, admirers of music, we often turn up our nose at certain kind of trial. Bad. It would need to approach the subject with the necessary cultural and mental qualifications: here there aren't tunes to croon, neither music to whistle (...) In Diffrazioni Sonore we listen 30 minutes of vocalises, which are improvised during a 3 hours studio session, but following 3 years of solitude, passion, silence (...) A sonorous experiment in which the voice continuously changes, exactly as a pinched and stretched spring does.>> Complete text (in italian):

http://www.rock-impressions.com/danieleromina1.htm

 

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Diffrazioni Sonore reviewed by Francesco Ovarelli (territoriomusicale.it): <<The work that Romina Daniele has carried on over these years should not been so easy. The entire work is based on a research exasperated to the core, to be retaken in several and improvised sequences (...) The result, the first matter, is all here. The uneasiness, the happiness, the pleasure, the serenity are some of the emotions which Romina transmits to us through the most versatile and malleable instrument at everyone’s disposal: the voice (...) The voice supports the whole work, it's the only source for the composition. Almost unconsciously, Romina realizes a splendid work in the contemporaneous art ambit. The atmosphere is almost theatrical, crude and visceral, marked by the superb and agonizing Romina’s vocal ups and downs.>> Complete text (in italian): http://www.territoriomusicale.it/recensione.aspx?id=192

 

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Diffrazioni Sonore reviewed by Luca Rapetti alias Slovo (blogbuster.it): <<An introduction: the work by Romina Daniele can be placed in the avant-garde. And a prayer: listening keeping away every preconceived ideas, any pre-established music rule, its common meanings, structures, constitutive elements. Now we're ready to listen to "Diffrazioni Sonore" (...) The realization of this project, supported by a strong philosophy (which is the Manifesto of the work) is free from all the common processes as well (...) Works like this obviously arise more questions than assertions: where is the line that separates the experimentation and the ultimate result? (...) Anyway, it must be said that Romina shows great courage proposing a work like this, probably more than that Stratos needed in the 70’s, when there was an audience very sensitive to the experimentation.>>

Complete text (in italian): http://www.blogbuster.it/dblog/articolo.asp?articolo=360

 

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Thursday, the 1st march 2007. Radio Libertaire 89.4 F.M, PARIS (by Nicolas Marmin a.k.a. bondage), very much actively interested in the cultural and musical avantgarde, electronic experimentation and "pushing voices", broadcasts the track "Differisco II" (36° cr.) - of the "Diffrazioni Sonore" project. 

Info e playlist show: http://epsilonia.free.fr/laccueil.htm.

 

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Diffrazioni Sonore reviewed by Riccardo Merolli: <<I manage to listen to "Diffrazioni Sonore" in a strange condition, I feel very different moods until the total explosion of my brain. Perfect electronics mixed with a particular leaden voice, so I imagine cold and snow paths. The continuous research and innovation are at the base of the perfect work by the Milanese by adoption "Romina Daniele", to find new ways when all seems already done is certainly talent. "Diffrazioni Sonore" deserves, without roundabout ways, sincere applauses.>> Complete text (in italian): http://www.rockambula.com/recensione_details.php

 

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Diffrazioni Sonore reviewed by Alessandro Nespoli: <<Does anyone knows where the voice was born? Where does it goes? What's its use and how does it works? Is it possible that this mean of communication, this natural musical instrument is paralyzed in a limited and wrong culture? In the West, this wall was pulled down by Demetrio Stratos, voice, not in a limited sense, of the band “Area”: he started with rock music and rhythm'n'blues, from a popular sound, to take his vocal research out of every limit of the musical experimentation; he implemented his technical work with scientific, psychoanalytic, ethnic and anthropological researches which enabled him to involve diplo-phonic and triplo-phonic techniques of mongolian and tibetan origin, which enabled him to work in a field of an avant-garde sound applied to the theatrical expression, as Antonin Artaud's work. This wide, but not dispersive, preface, introduce us to the character of Romina Daniele who, worthy to be a Stratos pupil, has produced a work strictly rare and elaborate, not really mannered.>>

Complete text (in italian): http://www.theholyhour.it/public/e107_plugins/content/content.php?content.144

 

 

 

NOVEMBER 2006

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Diffrazioni Sonore reviewed by Donato Zoppo:

 

"When Area and Demetrio Stratos are mentioned, the frequent question is: who has taken their legacy? Here she is, a great heiress not only for the vocalism but above all, for the deep exploration, spirit of the Stratos's research. Romina Daniele has been awarded with the "Demetrio Stratos international award for the musical experimentation" in 2005: her bold and avant-garde project "Diffrazioni sonore" gave her this great acknowledgement.". 

 

Complete text in italian:

http://www.movimentiprog.net/modules.php?op=modload&name=Recensioni&file=view&id=2237

 

 

 

OCTOBER 2006

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Romina Daniele's Vocal laboratory (text in italian)- November/December 2006. Valmadreara (Lc)

Info: info@cantierisonori.it

 

 

 

SEPTEMBER 2006

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September 11/12 2006: Romina Daniele's seminar on the occasion of LeccoArtLab/Cantieri Sonori - Valmadrera (Lecco). The program will be available soon. September 11, 2006: Romina Daniele will perform the Aisthànomai concert. - Lecco. Info: lab.stage@cantierisonori.it CRAMS 0341.250819

 

 

 

JULY 2006

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Prewiew: available the Romina Daniele's article Appunti su Arezzo; wrote for the Insound magazine where it's being published in september.

 

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Romina Daniele interviewed by Alessandro Bianchi -  RadioOrizzontiSaronno

 

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Available the Romina Daniele Live AWLF 16luglio2006 mono video (Performance and interview).

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RadioRaiInternational in link-up to Arezzo: Ugo Coccia intervews Claudio Chianura (Auditorium Ed.). The latter presents the Insound magazine and Romina Daniele, artist proposed in Arezzo Wave. In broadcast "Intro intellegibile".

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By "Arezzo Wave" Festival: “Awarded with the prestigious DEMETRIO STRATOS award in 2005, Romina Daniele is working in the field of the vocal research by combining experimentation and feeling. The strong personality of this 25 years old Neapolitan girl shows a rare artistic disposition in the contemporary music research. The choice of InSound underlines her free and stimulating way to intend the voice work." (from the page www.arezzowave.com/festival/gruppo.php?ID=1526).

 

"Romina Daniele, artist selected by the prestigiuos InSound magazine, confirms the expectations, delighting the audience with vocal and sound alchemy. After been awarded with the Demetrio Stratos award, the 25 years old Neapolitan girl seems moving towards a remarkable artistic growth, by a peculiar vocal research which combines experimentation and pathos."

(from "Wake Up stage report -M. Ferrante" www.arezzowave.com/notizia.php?ID=3181).

 

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MARCH 2006

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May/july 2006

Romina Daniele's Vocal laboratory (info in italian) on the occasion of LeccoArtLab/Cantieri Sonori - Valmadrera (Lecco).

 

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OCTOBER/NOVEMER 2005

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On Alias Il Manifesto, it's been published the article "Rivoluzione Musicante" by Girolamo De Simone (KonSequenz) about the music and the revolution from a social and philosophical point of view.

[Here the article in italian]

 

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Proposing the work Diffrazioni Sonore Romina Daniele has been awarded with the Demetrio Stratos International Award for musical experimentation, theme: “vocalism and research”. The award has been given for the Career to the great American artist Diamanda Galàs .

[Here the releted article and press release.]

 

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