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In a second point of view, the
work offers a charming performance/interpretation.
The transfiguration of the
song form through the organic changing of the voice (Materia),
vocals-electronics assimilation (Echo, Vero Remake II),
the
dramatic experimentation on the text-vocals (Dix ans, vingt ans),
sound poetry (Vero Remake I) and the
total theatre-song (Poesis
I).
(...)
Finally, almost
in despite of her theoretic
will
(which can
hamper
the total fruition),
‘Aisthànomai’
is mainly a sensory experience (if not sensual) with the vibrating
woman body, into urgency (impact) of the reunification.
"I do not enjoy all the happiness, remember, it is divided in two
parts, and both include emptiness’, it seems Emily Dickinson. But it
is necessary to get into the voice labyrinth
[D. Capuano
on
BLOW UP MAGAZINE
119].
>>
PRESS RELEASE
>>
Theoretical line text of the project
>>
Promo-mix an free listening of many
tracks on SoundCloud
>>
Tracks preview on CdBaby,
i-Tunes,
Amazon
>>
Reviews
LIVE VIDEOS
Žilina (Sk)
Stanica.sk Festival,
April
2008.
Entr'acte.
Materia [Matter].
Vero (Remake) II.
Banskà Bystrica
(Sk), April 2008.
Fallacità [Fallaciousness].
Brianza
(It),
July 2007.MATERIA [MATTER].
Carroponte,
Sesto S. G., Milan (It), July 2011.
vero (remake)
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