Causa, A. Sainati, are a crucial influence for my thought.

I start my vocal experience proposing my original repertoire. My first goal is to infuse in the “song” form my nature in a project developed by different brains. My influences can be found in the 2nd half of the twentieth-century music culture: from psychedelic to old dark music, blues, rock and progressive.  

Alone, I decide to start a vocal study, first of all academic, to confront my instinctiveness with the current rules; I propose myself as pupil to Auli Kokko: the Swedish singer of the Neapolitan saxophonist and composer Daniele Sepe, since many years into popular-jazz. My experience with Auli has lasted about three years; principally I approached classic jazz, the great voices but also very particular experiences, like Monk and Galas. I mature my poetics, which I try to share with friends and musicians.

I study history and methodology of art, theories and history of cinema, aesthetics; I listen continuously to Demetrio Stratos and Area. On one side I am very interested into the music from jazz that meets rock-music until the born of fusion; on the other side, I understand that my experience has its own course: it is vocal, experimental, strictly personal and soloist.

In 2005 I record "Diffrazioni Sonore" and I send it to the Stratos Award Jury. Before ending university, I move to Milan where I play with some local bands (principally doing blues repertoires) and waiting for the response from the award jury, in which I put my hopes to realize my musical goals.

Diffrazioni Sonore is a project born in confinement, like an obscure experiment, a forbidden work, an unthinkable experience. The three hours spent improvising in the recording studio are the final result of three years of passion, solitude, silence.